![]() Our protagonist really gives it the old college try, taking a menial job cleaning toilets in a big clothing store, just trying to get into the alterations department. She's edgy and fierce, and naturally, the gossip rags eat it all up.Īnother thing I really appreciated about this film was how it took the time to build Estella up into Cruella. Perhaps the best parts of "Cruella" are just watching Stone pulling all these insane stunts to upstage the Baroness. She was perfect for that part in every way. I had questions about Emma Stone playing the role of Cruella, not because she's incapable, but because it's a fairly bombastic role for someone who typically plays smart snarky characters like Gwen Stacy in "The Amazing Spider-Man" or Olive Penderghast in "Easy A."īut I had no questions about Emma Thompson playing the Baroness, a narcissistic and eclectic fashion mogul. The rest of the movie is about Estella following her dream of being a fashion designer, and she comes to work for one of the biggest names in London fashion, the Baroness. Having a trio of thieves added more of a heist element to "Cruella," and it's certainly not unwelcome. These are the same henchmen evil Cruella has in the animated film, "One Hundred and One Dalmatians," which this movie sort of serves as a prequel to. And if you're thinking those names sound familiar, they should. One thief is Jasper (Joel Fry), and the other is Horace (Paul Walter Hauser). Don't expect her to be cast on "The Crown" anytime soon, but for "Cruella," she's fine.Ĭruella teams up with two thieves she met as a child, and they have a great deal of chemistry together in their team. For the rest of the movie, Emma Stone plays Estella, and the Arizona native gives a surprisingly serviceable English accent. Still, "Cruella" doesn't dwell on it for long, giving young Estella a pretty good transition scene into her modern-day self. What comes next, however, is such a lame death that I had to pause the video and ask myself, "Did that really happen?" It seems so ridiculously absurd that I just couldn't get over it. And each time you see the book, it's practically covered in black ink from stamps. Estella keeps getting dragged before the headmaster, and he stamps her record book to keep track of how "bad" she's behaving. The opening few minutes do a lot to inspire confidence. Estella's mother tells her to lie low, and she does for about five seconds, just long enough for a bully to anger her and for her to punch him in the face. The film opens with our protagonist (definitely can't call her a hero) named Estella as a young mischievous girl. And "Cruella" surprisingly works (most of the time). The remakes of "Dumbo" and "The Lion King" have proved that.īut the "Maleficent" movies are a guilty pleasure, and "The Jungle Book" was actually solid. Their obvious cash grabs remaking animated classics into soulless live-action copies is abysmal. ![]() There are some things Disney and I are never going to see eye to eye on. That's how I was going into "Cruella." I had little faith in a movie trying to humanize a woman who attempted to skin puppies and make a coat.
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